Título : |
Ways of Seeing |
Tipo de documento: |
texto impreso |
Autores: |
John Berger |
Editorial: |
London : British Broadcasting Corporation |
Fecha de publicación: |
1973 |
Colección: |
Penguin Art and Architecture |
Número de páginas: |
166 p. |
ISBN/ISSN/DL: |
978-0-14-013515-2 |
Nota general: |
DO, Dpto. de Lenguas Modernas |
Clasificación: |
Psicología
|
Etiquetas: |
ENSAYO VISTA PSICOLOGIA SUBJETIVIDAD |
Clasificación: |
159.931=111 Vista. visión en inglés |
Resumen: |
With the invention of photography we acquired a means of expression more closely associated with memory than any other. But exactly how and why do photographs move us? What can we learn from family albums and the private use of photographs? Do appearances constitute a code of life, a sort of 'half-language"?
These are some of the questions examined in Another Way of Telling, in which John Berger and Jean Mohr lay the groundwork for a new theory of photography
No book of photographs quite resembles this one, with its mixture of stories, theory, portrait and confession. Its principal tale, told without words in one hundred and fifty photographs, concerns the life of a fiction-al peasant woman. It is not cinematic, neither is it anything to do with reportage it constitutes another way of telling. |
Link: |
./index.php?lvl=notice_display&id=42189 |
Ways of Seeing [texto impreso] / John Berger . - London : British Broadcasting Corporation, 1973 . - 166 p.. - ( Penguin Art and Architecture) . ISBN : 978-0-14-013515-2 DO, Dpto. de Lenguas Modernas Clasificación: |
Psicología
|
Etiquetas: |
ENSAYO VISTA PSICOLOGIA SUBJETIVIDAD |
Clasificación: |
159.931=111 Vista. visión en inglés |
Resumen: |
With the invention of photography we acquired a means of expression more closely associated with memory than any other. But exactly how and why do photographs move us? What can we learn from family albums and the private use of photographs? Do appearances constitute a code of life, a sort of 'half-language"?
These are some of the questions examined in Another Way of Telling, in which John Berger and Jean Mohr lay the groundwork for a new theory of photography
No book of photographs quite resembles this one, with its mixture of stories, theory, portrait and confession. Its principal tale, told without words in one hundred and fifty photographs, concerns the life of a fiction-al peasant woman. It is not cinematic, neither is it anything to do with reportage it constitutes another way of telling. |
Link: |
./index.php?lvl=notice_display&id=42189 |
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